A young artist of the Bayreuth Festival Masterclass and semi-finalist in the Richard Wagner International Singing Competition, Vanessa Lanch has established herself as a powerful and imaginative high dramatic soprano whose artistry extends well beyond the stage. She has performed leading Wagnerian and Strauss roles including Brünnhilde (Siegfried), Sieglinde (Die Walküre), Senta (The Flying Dutchman), Freia (Das Rheingold), Gutrune (Götterdämmerung), Chrysothemis (Elektra), Ariadne/Primadonna (Ariadne auf Naxos), and the title role in Salome. In 2025 she made her debut as Brünnhilde in Siegfried in Berlin’s independent opera scene, receiving praise for her commanding vocal and dramatic presence.

Alongside her interpretations of the German repertoire, Vanessa is also recognized for her interpretations of Puccini’s Turandot and Tosca and Minnie (La fanciulla del West).

Increasingly active as both performer and creative producer, Vanessa co-created and starred as Lee Miller in the multimedia opera-Lied-cabaret project Voices Between These Walls, which premiered to sold-out audiences in Berlin in 2025/2026 with MusikfürMusik gUG. In 2026 she appeared as Senta in the inaugural production of The Flying Dutchman with the Stockholm Wagner Project and Opera Viva in Sweden, another sold-out success. In addition to performing the role, she also contributed as head costume maker and collaborative production team member, further reflecting her multidisciplinary approach to performance-making.

Her recent work reflects a growing commitment to artist-led creation, interdisciplinary performance, and collaborative producing within Europe’s independent opera and music theatre scene.

Born in Toronto, Canada, and of German heritage, Vanessa studied at York University (BFA in Music and Theatre Production) before earning a Master’s in Music Performance with Distinction from the Guildhall School of Music and Drama and a Master’s in Opera Performance from the Musik und Kunst Privatuniversität der Stadt Wien. A laureate of the Flanders Opera Studio and former member of the Bayreuth Festival Chorus, she is also the recipient of the Tracey Chadwell Memorial Prize, finalist in the Patricia Routledge English Song Competition, and third prize winner in the Canada Council for the Arts’ Eckhardt-Gramatté Competition.

An interdisciplinary artist, Vanessa is also an accomplished costume and set designer, hairstylist, and multimedia creator, known for integrating visual storytelling, film projection, and design into performance. Her work fuses operatic tradition with contemporary theatrical approaches, reflecting a commitment to performance that is both visually and musically immersive.

As Executive Director and co-leader of MusikfürMusik gUG, Vanessa develops artist-led productions that combine musical excellence, social engagement, and innovative collaboration, creating transformative performance experiences for artists and audiences alike.

To learn more, visit: www.musikfuermusik.com